Arcade
Now turn to face the nave with your back to the tower arch. We have a
five bay
arcade on either side dating from the early thirteenth century, that on
the south
a little earlier, the mouldings on the capitals being more ornate. The
piers (pillars)
are octagonal and the arches double chamfered. Two of them appear to
have been rebuilt during the 1875-8 restoration. The stone corbels over
the
capitals are carved in the form of human heads. On your left (north
side) from
the far end (east to west):
1. A male head of Mongolian type, thick lips and wearing a round flat
cap.
2. A female head with a barbe beneath the chin (fashionable with
fourteenth
century ladies).

3. A male head, clean shaven and wearing a turban.
4. A female head with veil and with a barbe beneath the chin (carved in
1875
by F.Cox of Leicester).

On your right (south side) from the far end (east to west):
1. A male head, clean shaven, with a flat decorated cap.
2. A male head with short pointed beard and round flat cap.
3. A roughly carved male head with forked beard (broken)
4. A small roughly carved male head, clean shaved, with round cap. |
Clerestory
Above the arches the row of five windows on either side is called the
clerestory, giving extra light to the nave. These were added in the late
fourteenth or early fifteenth century, when the roof was raised. You can
still see the original line of the roof on the tower.
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STATIONS OF THE
CROSS
There are ten stations - to be found attached to the pillars in the
North and South Aisles. These were made at a workshop formed by members
of St. Mary’s congregation under the direction of Olwyn Ballentine,
Easter 1998. Ten were chosen instead of the usual fourteen, as these are
the ones found in the Bible
PULPIT AND BRASS LECTERN
Erected in 1875 the pulpit is built of Attleborough and Bath stone with
alabaster
columns. It replaced a fine carved Jacobean pulpit.
The brass eagle lectern was given by the Sunday School in 1888. The
former
oak one is also still in use. |
THE ROOD LOFT
In medieval times there would have been a beautifully carved rood screen
almost filling the chancel arch, with gates. (Rood was a medieval name
for the Cross, connected with ‘rod’) But this was destroyed in the
sixteenth or seventeenth centuries during the Reformation when so much
church art was destroyed throughout Northern Europe by the Puritans. One
of the rare survivals at St Mary’s is the original thirteenth century
winding stone stair, which can be seen on the right of the chancel arch.
The steps have never been restored and are very worn. The priest climbed
up here to read the Gospel from the rood loft above. The ornately carved
rood loft you now see was erected in 1905 as a memorial to Queen
Victoria, at a cost of £250. In 1931 the crucifix and figures of St.
Mary (on the left) and St John were added. The low oak chancel screen
and the choir stalls all belong to the Victorian restoration.
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The Nave Roof and the Angels

Safely out of reach of Puritan
soldiers, and thankfully preserved by the Victorian restorers we have
here the only woodwork to survive from
medieval times. The roof itself was renewed in 1875-8 but it rests on
fine carved oak timbers placed here when the clerestory was added (late
fourteenth or early fifteenth century). These tiebeams are embattled and
are decorated with tracery, and carved heads. These beams are supported
by eight large figures of angels, four on each side, beneath the main
timbers. These are also about six hundred
years old. Their wings are raised above their heads, and they hold large
plain heraldic shields in front of their bodies. No doubt these would
have originally been brightly painted. Those on the north rest on wooden
corbels, and those on the south on stone corbels, some of which are
carved in the form of heads. Why have only the angels on the south side
been given crowns?
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PAINTING

On the wall near the pulpit is a painting by Jordano (or Giordano) Lucca
of the aged Simeon holding the baby Jesus, with St Mary
looking on (see St. Luke Chapter 2, verses 25-35). The painting
originally hung above the high altar. The painting is not valuable, but
is of special interest because of the man who gave it to St. Mary’s. He
was John Nichols, the famous printer and friend of Dr. Johnson,
who married Martha Green from Hinckley in 1778. He bought the painting
from Christies, London and gave it to the church in 1782. Between 1795
and 1815 he produced eight huge volumes on the
History of Leicestershire. They are full of the most incredible detail,
with many beautiful copper plate engravings. Not surprisingly the
venture lost him £5,000 – a fortune in those days. St Mary’s possesses
the volume which includes illustrations and much valuable information
about this church and others in the area. |
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DR CHESSHER

Portrait of Dr Chessher painted by
William Bass , now hanging in John Cleveland College
There is a large memorial to Dr Robert Chessher high on the wall on the
right of the High Altar, but very difficult to see. This is a pity
because he was the first known orthopaedic surgeon and had his
surgery in Hinckley. Born here in 1750, his father died when he was a
youngster and his mother remarried Mr William Whalley, a Hinckley
surgeon whose headstone is in the churchyard close to
the end of the chancel. Robert became an assistant to his stepfather and
at the age of 18 went to London to study medicine. He became House
Surgeon at the Middlesex Hospital and when his stepfather died in
1778 he returned to Hinckley to take over his father’s practice. Robert
became interested in ‘skeletal injuries’ and devised mechanical devices
to aid treatment especially of spinal injuries. As the memorial says in
its long flattering inscription, he invented ‘a new and most successful
treatment of spinal deformity’. He was the first to use the surgical
collar. Many famous people came from all over the country to be treated
by him in Hinckley. One of these was the young son of George Canning,
the Foreign Secretary, and briefly Prime Minister. The boy suffered from
lameness in one of his legs. The Cannings took up residence locally in
1807, and stayed several years so that their beloved son could be helped
to walk again by Dr Chessher. William Wilberforce also came for
treatment. There is a street in the town, off Trinity Lane, named after
Dr Chessher. When he died in his house on Castle Street in 1831, aged 79
he left £1,900 in trust to provide bread and blankets for the poor of
Hinckley. He was buried in the nearby village of Peckleton.
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THE ONEBY MEMORIAL

This very fine seventeenth century monument on the north side of the
chancel, could easily be missed on a visit to St. Mary’s. As you look
Eastwards it is hidden from view by the organ case. It commemorates John
Oneby (pronounced ‘owner – bee’) who died in 1662, his wife Emmett and
their five children, Elizabeth, Dorothy, Emmett, Mary and John. (The
married girls are on the left, the unmarried on the right!) They lived
at the Priory House, just below the church. Below this monument is a
brass dated MDCCLXXXVI (1786). The inscription is in Latin and records
the names of those who contributed towards the cost of restoring the
monument above, including the two daughters of Nichols the historian and
Robert Oneby, a descendant. |
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THE HIGH ALTAR

This altar table was put here in 1888. It was later extended to its
present length to fit the reredos (1920) which commemorates the nearly
400 men from Hinckley who fell in the First World War. Their names are
recorded on the War Memorial tablet in the north aisle. The reredos is
of carved oak, decorated in gold and colours. In the centre is Christ
seated in majesty, with the orb in his left hand symbolising his kingly
power, with the twelve apostles on either side, each with his emblem.
From left to right: James the Less with boat, Jude (Thaddaeus) with
club, Judas
Iscariot with book, Matthew with set square, James the Greater with book
and shell, Peter with keys, John with book, chalice and eagle, Andrew
with his cross, Bartholomew with knife, Thomas Didymus ‘the twin’ -
doubting Gargoyle, Exterior, East Window. Thomas - with spear, Philip
with fish, and Simon the Zealot with book and stick. More information
about the twelve apostles and the symbols they carry is available in a
separate leaflet. The riddel posts on either side of the altar are
surmounted by angels with candlesticks (recently gilded). The oak
candlesticks were made by Wilf Parsons, a former churchwarden, to
replace the brass ones which were stolen along with the brass alms
dishes in the 1980s. An old brass alms dish was given in 1992, and soon
afterwards the original alms dish was recovered from an auction at
Wolvey where it was about to be sold! (It had been stolen from St Mary’s
some years previously). It is inscribed: ‘Presented to Hinckley Parish
Church by Wm Crow Churchwarden 1873-1887’. A pair of old brass
candlesticks was donated in 1995. Other brass items were stolen from the
church at different times including a fine processional cross: it was
the policy until the 1980s to keep the church open, but there was no-one
on duty to look after the contents. On the south side of the altar are a
piscina (medieval drain for disposing of water after Communion) and
sedilia of three seats. Before you leave the chancel notice, opposite
the organ, the beautiful carved oak screen (1929).
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